If the notes that emerge over the course of a project represent, so to speak, its essence, then it should be possible to extract from them a source code for a new text about the project. If fiction is the articulation of a possible future, present, or past, then it can serve as a gateway to an alternative perspective on the events. Together, these two elements will serve as the foundation in this issue of Dance Writing Quarterly for writing about one’s own projects, those one has witnessed, or those one has imagined.
For professional dance practitioners | Free to participate
All languages and scripts are welcome; communication in German and English
Registration by June 3 at: tanzplan2@kampnagel.de
